Overcoming Challenges of Detailed Organic Modeling: KC Theatre 3D Visualization Project
- Kamaljit Singh
- May 9, 2024
- 5 min read
Updated: May 10, 2024
In 2018, I was contracted to assist in this unique challenging visualization assignment, for the renowned KC Theater redesign, a project that was part of a competition launched by the administration. The team I joined was led by a team of recent architecture graduates, lead by an experienced architect. They had developed an innovative concept but struggled with creating a high-quality render that could effectively communicate their vision.
The design was inspired on organic lines, with varying curved trusses and shells, a style that poses unique challenges in terms of practicality and modeling. Despite their proficiency in Rhino, the team was unable to create a convincing organic model or produce high-quality renders. They provided me with simple 3D lines as a starting point for creating the model.
Traditional 3D modeling methods proved inadequate for this task, prompting me to explore alternative solutions. After studying reference projects and organic structures, I discerned a pattern in the trusses. I then explored various tools and shortlisted NURBS modeling and RailClone for creating parametric models.
With this new approach, I started modeling again, this time keeping my design parametric from the outset. I defined the parameters of the simple truss curves and assigned geometry to the nodes. Using RailClone, I was able to produce the organic truss. For the shell, I turned to NURBS modeling, which I found to be similar to NURBS in Rhino. After extensive research and practice, I successfully modeled one part of the shell. However, with around 50 curved panels of 3D shells to create, I had to repeat this semi-parametric hybrid approach 50 times. It may sound simple to say that a 3D shell can be generated with curves in Rhino, but when it comes to high quality precision modeling there are challenges. Other way was to accept the imperfections, the same dilemma the Rhino artist was facing.
After 15 days of dedicated work, I had a model ready for high-quality rendering. However, at this point, there seemed to be some miscommunication with the architects. They had concerns about the progress of the project, which led to a delay in my payments. This unfortunate misunderstanding affected our relationship, even though they later acknowledged their mistake of delaying my payment and rectified it.
On a brighter note, they were genuinely surprised and impressed by the precision of the model I produced. The junior architect who had initially found the task challenging was keen to learn from my approach. With the building model complete, I decided to explore further. I created a parametric model of a well-known location in Chandigarh, defining elements such as balconies and grazing. While it wasn’t an exact representation, it was convincing enough to be used in shot backgrounds.
On a positive note, they were genuinely surprised and impressed by the accuracy of the model I produced. The architect who had initially struggled with the task was eager to learn from me. With the building model complete, I decided to push the boundaries further. I created a parametric model of the famous Chandigarh Sector 17, defining elements such as balconies and grazing. While it wasn’t an exact representation, it was convincing enough to be used in shot backgrounds.
This project was a significant achievement for me. I overcame three major challenges for the first time and, despite the initial loss of patience from the client, I ended up creating a very detailed site model. It was a testament to the power of perseverance, innovation, and continuous learning.
The site for the project was initially empty, with Sector 17 as the only reference. However, I saw this as an opportunity to add value to the project. I decided to design the site and incorporate it into the rendering, which significantly enhanced the overall look and quality of the render. Despite knowing that my efforts might not be fully appreciated due to the complexity of the project, I was committed to delivering the best possible outcome.
Creating a high-quality renderings of an organic design is one of the most challenging tasks in visualization work, and many professionals shy away from it. However, I was able to produce an excellent render, perhaps one of my best works so far, despite the numerous challenges. This was a unique shell concept that I had never had the opportunity to work on before. I don’t claim to be an expert at organic modeling, but I believe that with research and the application of my skills in various workflows and supporting software I learned so far, I can find a solution.
To make the render more intrinsic, with the help of Forest Pack, I was able to detail the project up to the level of individual grass blades. I added hundreds of cars with a parametric parking lot and created several layers of trees in the backdrop, nearly matching the Sector 17 street picture.
The interior of the theater was being designed as a mall on lower floors and multiplex on upper . Since the building was entirely glass, the interiors were inevitably going to be visible, so I added some nicely detailed mall assets after refining them in a separate file for performance rendering. As I went through the process, I realized the importance of meticulous organization throughout the execution process to achieve good quality with difficult projects. I created a proper project structure and organized its models in a scene with manageable nomenclature. This is the time when I also started creating libraries for my future project (Improving the capacity, quality and speed of my workflow drastically).
I also realized that I was able to create better output with my limited resources. Back in 2018, I was working with a decent Nvidia 2080 on a 32 GB RAM. Now, I work on a 4090 with 128 GB, which I am able to use to the fullest and extract much more juice out of this machine than what I use to do earlier. With this machine, I am now able to compete with big studios. Those were my foundational years back then when I tackled the challenges of working on difficult projects which wouldn’t run on simple machines as well. So this was a great addition to my experiences.
Reflecting on the KC Theatre redesign project, it was more than a 3D visualization task. It was a journey of growth and learning. Despite the challenges of detailed organic modeling, I created a high-quality render that left the architects genuinely surprised and impressed.
This project taught me that with the right approach, tools, and mindset, even the most complex tasks can be accomplished. Today, I am not just a 3D visualizer, but a professional who has grown through this experience.
As I share this journey, I look forward to the opportunities, challenges, and learnings that lie ahead. Here’s to the future, filled with more boundaries to push, and more opportunities to learn and grow. And most importantly, here’s to the power of perseverance, innovation, and continuous learning, the pillars of my journey so far and guides for the future.
This project offers a sneak peek into my diverse portfolio. As an Innovation Architect at Archirium, I’ve had the privilege of merging creative workflows from various fields. My portfolio encompasses architectural and interior design projects like this, design presentation development projects like walkthrough and visualization, and interactive design using a range of technologies like Unreal Engine and film, each presenting its own unique set of challenges and rewards.
I encourage you to delve deeper into my work on my website.
Portfolio: www.archirium.com
Instagram @ lotus.archirium
LInkedin @ Lotus-Kamal
Youtube @ LotusofArchirium
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